Contest winners, an interview, and an Author Blog Hop can be found at the bottom of this post. But first, a few words about setting.
Yes, that’s what I thought, too. But reading Donald Maass’ Writing the Breakout Novel, Chapter 4 (Time and Place) has completely upended my ideas about writing setting. Now, I already knew that the best stories, especially dystopias, have a setting that contains the essential conflict: the world is literally warring with the protagonist or holds disparate elements battling with each other. I also knew that evoking description without info dumps and endless wordy pontifications on the beauty of architecture was essential, although difficult to craft in practice.
But Maass goes much further, talking about setting as a character that interacts with your MC, evokes a time as well as a place, and encapsulates societal trends and the movement of history.
Enclosing Spaces: Architecture as Psychology
Being an engineer, I’ve always thought of architecture primarily as stresses and strains and concrete – with a few artsy touches thrown in. Maass talks about architecture as the art of enclosing space with material to create a feeling in people. Likewise, the setting in your novel is the art of enclosing the space of your world with words to create an environment that interacts with your characters. Seeing the space through your character’s eyes elucidates what it means to them, and what’s more, how their relationship with it changes as they go through their character arc. The surroundings may not change, but how your character sees it will: what was once harsh, may now be welcoming; what was once home, may now be foreign. I spend a lot of time thinking about my character’s evolution in a story, but I had neglected to think explicitly how that changed their relationship with the larger surroundings.
The SpaceTime Continuum
As any quantum physicist or Star Trek afficiando will tell you, time is space and space is time. There is no here without a when. It was a revelation to me that this is true of setting as well: your story doesn’t just take place in a physical location, but in a transitive time with a history and a future. Movement from the past to future is happening right under your character’s feet. Having a thorough sense of your character’s world is essential for placing them in it, whether it occurs in the past or future or present day NYC. Evoking how that time-space location impacts your character, in detail, will make it come alive in the reader’s mind.
Trendy Hair and Period Dress
Having authentic details, whether of the past or future, is important, but doesn’t substitute for a deeper understanding of what those things mean. Why was big hair important in the 80’s? What did it evoke in the characters? More importantly, what were the social/political mores of the day, of your character’s social class and their place in the world? It always comes back to seeing the world through your protagonist’s eyes, but in a thorough way that brings out the social milieu of the period that you are writing. Their world is defined by your character’s thoughts and reactions to it.
So, it’s much more than a kitchen and a chair. In fact, maybe the setting needs to move out of the kitchen, to more accurately reflect the true power behind the scene. Maass gives me a lot to chew on, and I’m only on Chapter 4! You really need to read this book.
On to the fun parts ….
INTERVIEW: The lovely Sherrie Peterson has graciously posted an interview of me on her blog Write About Now. I talk about writing love scenes, navy tidbits, and share an old picture of me with Chuck Yeager’s experimental aircraft, the X1E.
And now ….
CONTEST WINNERS! Thank you to everyone who entered! By random drawing the winners are …
Prize #1: 20 page critique from my editor CJ: Sharon K. Mayhew
Prize #2: 20 page critique from me: Ali Cross
Prize #3: A book of your choice: Adam Heine
I will be contacting you shortly with further instructions!
See you Monday for the Author Blog Hop!