This is an excerpt from the forth-coming Third Edition of the
Indie Author Survival Guide (Crafting a Self-Publishing Career 1)
Second Edition is available now
For Love or Money (Crafting a Self-Publishing Career 2)
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Ch 2.2 Five Year Plan
- · Do you just want legions of readers?
- · Do you have particular kind of story you need to tell?
- · Do you dream of winning awards?
- · Do you want to be on the NY Times Bestseller list, and nothing else will do?
- · Do you want to earn a living with your writing?
You don’t have to have just one, and these will evolve over time. I make no judgment about your goals, except that they should line up with your Core Values.
To leverage my background in science, engineering, politics and life, to create compelling stories and characters that pose moral questions to young readers and make them think. To have every story be an improvement in craft. To be a leader and member of a supportive writing community, through blogs, critiques, and social networking. To create a body of novel length works that reaches a large number of young readers, to provide the greatest impact on young lives.
To make enough money from writing that it would be equivalent to working as a part-time engineer.
5 year goal: To make enough money from writing that it would be equivalent to working as a part-time engineer.
Measure: $29,250/yr net income ($50k salary pro rated to part-time), before taxes.
Target: 16,500 ebook sales per year
Target: hit the top 100 of my genre on Amazon’s SF/F bestseller list (Kindle store).
First Target: break even with 500 sales
Second Target: break 1,000 sales on Open Minds in the first 6 months.
5 year goal: Fully fund 3 boys’ college education (not starting from zero; at the end of the 5 years, the first one starts college)
Target: save an average of $34k/year net for each of five years ~ 17,000 ebooks/yr
Along the way, I discovered creativity was just as important as money (to me). Once you get past the how-do-I-format-this and how-do-I-price-this and what-the-heck-is-marketing-anyway questions, the real power of being indie starts to settle in. You realize that just because books have always been written a certain way, does not mean they have to be written that way. Rules you didn’t even realize your subconscious has laid hold of (book length) no longer restrict you. The euphoria of realizing you can write anything is quickly replace by a deluge of questions.
- What do I want to be writing in five years?
- What drives the length of a story?
- Where do I need to stretch myself as a writer?
- If there was no consideration for sales, what would I write?
- If sales were all that concerned me, what would I write?
- Do I continue to deliver stories that will build upon my prior works?
- Do I diversify and write something completely different?
- Does brand matter anymore in the digital age?
- Branching out and experimenting with genre and form (length)
- Experiment with novel length/number in series
- Seek out ways to stretch myself in my craft
- Constantly strive to boost my productivity
Creative Goals
1 year goal: Writing Debt Collector proved I could write faster than I believed possible (125k in 4 months). Reducing social media and focusing during creative time (as well as tracking my creative productivity) was key. I need to continue to push those boundaries.
- · Finish Faery Swap, Third Daughter, start Singularity, write second season of Debt Collector (basically increasing my speed is unlocking my ability to tackle more projects).
- · Work with a professional developmental editor to speed story process.
- · Continue to stretch myself in my craft by taking the Screenplay in a Year workshop with Kat Falls as well as the writing intensive in Minnesota with James Scott Bell.
Details about business plus summary of Five Year Plan.
May 2015 Five Year Plan
Oh, and I met my five year target of fully funding my three boys college education. After only two years.
March 2016 Five Year Plan
For SKQ: To keep making enough money with my works to justify the time spent writing stories I love.
For SKQ: To write stories I love, even if they don’t make money. To continue to push myself in craft (which this year means experimenting with a more literary style for some of my short stories). I have an agent now, so submitting to traditional publishers is an option, but not one I’m interested in (my agent mainly tries to sell audio and foreign rights). I may submit a literary short story to an SF magazine. I may not. But my primary goal remains to build that body of SKQ works: Singularity, another trilogy of Mindjack, three more seasons of Debt Collector… and who knows, beyond that.
Making a plan is no guarantee of success (remember my first target? breaking even?). But it puts you squarely in the driver’s seat of your own future. Which brings me to thoughts of the future. A whole generation of writers are making their careers solely as indie-published authors. Those authors are making their own rules (about storytelling, writing, and careers), and they are fundamentally different from any other generation of authors in the past.
This is an excerpt from the forth-coming Third Edition of the
Indie Author Survival Guide (Crafting a Self-Publishing Career 1)
Second Edition is available now
For Love or Money (Crafting a Self-Publishing Career 2)


